Biltmore Estate, Asheville, North Carolina – September 2011

Last week, Scott and I went to visit my mother and stepfather in Rock Hill, South Carolina to celebrate my stepfathers 80th Birthday. We drove the whole way from Michigan and it took about 14 hours to get there. We were with my nephew, Steven Ryerson and his wife Lacy Hall Ryerson. We enjoyed moms wonderful cooking and had a wonderful time. That Sunday, Steven and Lacy had to return home to Virginia Beach and I have to admit that it was very nice seeing that part of my family. I haven’t seen Steven since 2004, and before that, since he was a little kid, the year itself is rather lost to my foggy memories. I’ve missed out on all of my nephew and nieces lives as children and now know them as adults. It’s quite akin to the feeling you have when a soap opera character you knew as a child has become a young adult in just two seasons. Wow they grow up fast!

That Monday, we all awoke early and loaded into the car and headed to Asheville, North Carolina, about two hours northwest of Rock Hill. We arrived at the Biltmore Estate, which was built in 1895 by George Washington Vanderbilt for his family.

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Here is the main structure. To call it a home is rather inaccurate, it is a chateauesque castle! The building is immense and carries with it a presence of awesomeness that simply floods over you and overwhelms your senses. The grounds are impeccable, the building itself has been conserved amazingly well for its age and a majority of the contents have also been conserved (preserved?) expertly by the Vanderbilt family. It is a private residence still, and the fee is rather steep to gain access, an adult pass is $55 for the pleasure of wandering this amazing place, the buildings and the grounds. Upon entry from the front doors you are immediately inundated with the grand scale of it all, especially some of the interior,

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This arboretum is where you land after first entering this castle. The room has a glass window cap which floods the entire area in natural daylight. There are hallways that stretch on in every direction from this central arboretum. Once you stop here, you proceed on to the main dining room, then on to the various rooms, bedrooms, and special purpose rooms that populate this castle. Amongst the first things you come across is the Loggia, which runs for a good portion of the rear length of the castle and is a covered overlook to the grounds that are behind Biltmore,

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All that you see in this picture was planned. Every tree and shrubbery was put there by human hands. The designer of the landscape, Olmsted knew that the grounds would start with a human-meddling look to them, but he counted on the natural growth and development of this landscape to transform a forest-on-purpose to what looks like a natural forest that just happened to play out behind Biltmore and roll along under the Loggia. The entire property is 8000 acres so pretty much everything you see in the picture above is a part of Biltmore, and so was planned.

When we exited the Loggia, we proceeded through the various rooms and it is obvious that Vanderbilt money was considered inexhaustible. These are after all the royalty of America and they made sure their humble abode shined with every ounce of prize and finery. The library is breathtaking, with two floors joined by a carved wrought-iron spiral staircase and filled with built-into-the-wall bookshelves holding original works in eight languages. As you tour, the impressiveness rots through your mind like drain cleaner. There is so much here to see, so many treasures, so much history. It’s a lot like folding The Louvre Museum and Versailles together and smoothing it out in rural North Carolina.

As I passed through GW Vanderbilt’s bedroom it struck me just how much this “home” is built to overwhelm. It contains nothing that is ugly or unsightly. Everything here is a beautiful treasure, the carvings, the artwork, the tapestries, from the floor to the ceiling and quite often even the floor and ceiling are in and of themselves works of art. Knowing all this, seeing all this, knowing it was open to the public and for a fee you could tour this overwhelming monument to wealth, excess, and ultimately the deadly sin of greed it was both a breathtaking experience of beauty and a gut-wrenching filthy display of greed, vanity, and pride.

I was moved by the artwork, overwhelmed by the library and the dining room. By all the art loaded into this building and while walking through what is called the “Halloween Room” which is actually a part of the basement that was painted by the Vanderbilt children in Halloween motifs a new thought struck me. For all of the amazingness of it, for all the wonder and grandeur, and all the other words that indicate excess and stunning I was assailed by the lesson of Biltmore, for it does have one. That lesson is, “You cannot take it with you.” GW Vanderbilt is dead. He could not take his treasures with him. All the beautiful things that line this place are kept things. Yes, the Vanderbilt family still owns Biltmore, but it has evolved out of being a home and into being a spectacle. It’s a warehouse for sad objects that are kept, the beauty concentrated in this one place and stuffed behind an entrance fee for a for-profit management company.

I earlier made a connection between Biltmore and The Louvre. Both are palaces, grand chateauesque castles. One of them is in the new world and one in the old world. There is a fundamental difference, The Louvre honors what it keeps and is open to the public for the betterment of everyone who visits. Biltmore keeps what it keeps and is open to the public, and benefits the rich family who maintains it. Both are gilded cages for beautiful things, except one shines just a little bit brighter.

In the blazing light of excess and splendor it struck me right between the eyes, the inanity of keeping things. Yes, all of what is in Biltmore is beautiful, impeccably conserved, and it contains many wonderful things, but it in the end turns the stomach. Too much sweetness and wonder all gathered up becomes saccharine and sickening. The flood of overwhelming beauty keeps a lot of this sickness out of your mind while you are actually there, exposed to it all. Eventually when you come down from the high and begin to think about the why and wherefore behind what you experienced, only then do you feel your skin crawl, and then the shame sets upon you. Or at least it did to me. In 1895, and for the intervening years until 1930 this place, Biltmore, was the private residence of people who one could argue fully realized a kind of American Dream.

The Vanderbilts didn’t really earn their vast sums. Many of them inherited their fortunes. This took the vigor out of the family, sapped them of fight, strength, and in many ways, it also sapped them of honor. Yes they were wealthy beyond thought, but they were too comfortable, too couched. Too much. It wasn’t that any of them actually had to start from rags, they stood on a giant moneymaking machine and rode it through to the start of the 20th Century. This Biltmore Estate is a testament to a kind of gut-wrenching disgustingness. All the beautiful things jailed to die very long deaths of monomaniacal keeping. It wasn’t until the cork of the West fell out of the bottom during the Great Depression did the Vanderbilt family decide that Biltmore should be made open to the public. I can only imagine back in 1930, with all the unemployment and all the hungry people, in the face of all that suffering that it had to make their stomachs do backflips when they sat in the Tapestry Room, looking out the windows, past the Loggia, to the 8000 acres of planned woodland. Then they did the only thing they could bear to do with their deep guilt, and that is secure the property and open it up and let the rank and file proles wander through. A little scrap, and an even more abstracted version of “You cannot take it with you”, for as the Vanderbilts died and couldn’t take Biltmore with them, the lame proles who wander through like cattle can’t really take what they see with them, except in their memories.

But for all of this lofty talk, there is more to show. Of course, what castle would be complete without statuary?

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During our visit to Biltmore, another hallmark of American Plenty was on display. Tiffany and Company had a display of some of their lamps:

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And finally, one last parting glance at Biltmore:

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It is a beautiful place, the Vanderbilts should be thanked for preserving such a thing and all the wonders it contains. Most of my comments come from a very deep place that finds this kind of excess troubling. While the Vanderbilts wanted for nothing and arguably couldn’t even get rid of their money if they wanted to, there were millions of others who were clustered around cookfires and standing in long lines looking for work and struggling with the ache in their empty stomachs, while people like the Vanderbilts went for a swim in their indoor lit-and-heated swimming pool. The disparity leads to despair, at least for me. How much good could have been done if Biltmore wasn’t built, but the funds that might have gone into it and all the things in it went to feeding the teeming masses of unemployed hungry? How can anyone with a straight face declare that obnoxious wealth is defensible when there are hungry children clustering around cookfires with their unemployed parents? It’s the heartache of the liberals. This place, Biltmore, is a shining example of why I hate rich people with every single fiber of my being. So wealthy that life lacks any challenge, then faced with people who know nothing but challenge? The question comes in my mind: “How dare you!” and this I like to think will drive the coming conflict between the rich and poor in the coming years. Like all inequalities, it will be resolved with time and suffering. At least Biltmore will stand, perhaps as a place to conserve beautiful things, and maybe as a symbol of wretched excess and the hazards of allowing greed to overwhelm humanity.

Paris Day 1

LiveJournal 11/22/2003

Paris Day 1

Nov 13 – 5:20 Central Time

We have boarded the 767-300 bound for Paris, France. The aircraft is relatively full of passengers. The leading thing I’ve come to see so far is how very fast the spoken french is that surrounds me, from the other passengers to the french-speaking public address system.

Nov 14 – 11:11 French Standard Time (GMT+1)

Nous Arrivons! 🙂 We discovered that the nearest metro stop is closed but that only means a short jaunt down to the next station. Our room at the St. Jacques is very small but wonderfully cozy.

We discovered to our chagrin that at certain times the RER train that shuttles people from Roissy Airport (CDG) progresses along it’s route to Gare Du Nord in a non-stop fashion. We were on that particular non-stop train. After getting off at Chatelet we discovered to our irritation that Paris Metro has seen fit to close the Maubert-Mutualite metro stop, which would have put us within a 100-meter stones throw from our Hotel. As it was, we had to walk a little to get to our hotel and once we dropped off our bags and washed up a little from the cramped airplane flight to Roissy, we headed down to Le Musee Louvre. Along the way we caught some great sights of Paris, some architecture, some of the Ponts, and lots and lots of artwork at Le Louvre.

This was how we planned Paris. We found a big folding map of the city and bought some posterboard and some thumbtacks, then we mounted the map on the board and tacked down each location we wanted to visit, allowing us to visually see how all the attractions we were interested in related to each other. Instead of wrapping around Paris by Arrondisement we discovered that we were primarily Seine-bound with side trips to Marais, Montmartre, and Denfert-Rocherau.

This was our hotel room, we pretty much arrived, exploded our belongings in the room like mad fiends and tried our best to rescue the first day for Le Louvre. As Hotels go, St. Jacques is very tiny, but instead of taking the standard American pig-headedness about things, Europe IS TINY ANYHOW. Not only is space at a higher premium than it is in Tokyo but many Europeans are on the whole, not exceptionally vast in size, unlike Americans. Also I would hazard that Americans grew up with further limits on personal space, we need much more of it than the Europeans do – Americans need 2 meters around them being empty to feel comfortable, Europeans need about 10 cm. 🙂 Anyhow, while in Rome, do as the Romans… so we put up and enjoyed what we had.

The view from our 1st floor (1 floor above street level) room wasn’t the most moving of vistas. We were staying on the left bank in the Rue des Ecoles neighborhood and this was pretty much all that was to be seen, little shops, little awnings… even if the view didn’t inspire poetry – it was Paris. This salient fact took about 2 days to sink in, that I was actually IN Paris…

Scott spotted this fellow. My camera doesn’t have any zoom function on it, but if you look dead center there is a little figure above the shop-windows in the middle of the frame. This was a makeshift sculpted man-figure which looked like he was “growing” out of the surrounding building. I named him the Verdant Figure. Next time we visit and I take digital pictures it will be done with a vastly superior camera.

To get to Le Louvre from the Left Bank you’ve gotta cross bridges! We crossed on Pont Chance but we got a chance to get these pictures of Pont Neuf, right before we found our way to Le Louvre.

Walking up and through the exterior of Le Louvre dropped us off in the courtyard inside the huge palace that is the Louvre itself. It’s very important to note the style of architecture here because it becomes important soon.

This is why noticing the architecture is important. Off in the distance you see the sudden shift from classical shapes to what I.M. Pei created in the dead center of the courtyard of Le Louvre. This immense glass pyramid looms like a huge figure and it almost succeeds in stealing the thunder away from the surrounding palace facade.

Wandering through Le Musee Louvre we saw an endless parade of famous and decidedly not-french pieces of artwork. I felt betwixt about this, all these priceless pieces of human history from all over the world and only a few of the pieces are honestly French, but most of them are in France. On one hand, yay for the fact that there are people to care for these precious objects, and on the other hand, boo for essentially grave-robbing and carting off huge chunks of priceless artwork like some selfish impudent child.

That particular argument left aside, we did get several photo-op chances with some of the worlds most lovely pieces of artwork. Scott is standing in front of Venus de Milo. The way they framed this sculpture made it alternately difficult and rewarding to photograph properly. To Scott’s left are 2 casements of floor-to-ceiling french windows and in this picture, right behind Venus’s head is a very bright spotlight mounted from the ceiling. I had to get just the right angle and in this picture I found it. The lights and the weather outside helped create a inner glow to Venus that if I was able to use flash I probably wouldn’t have seen as my flash tends to wash away a lot of the warmer oranges and reds in photos.

One thing, about this photo-op that struck us both as very odd was the sheer number of Asians that plagued this statue. The ability for me to get an unobstructed shot of Scott in front of Venus de Milo could only happen when this huge mass of Asian people were forcibly removed by their tour manager from the scene. Off to my right there were three Asian men battling with a tripod and fumbling with their own cameras. Nowhere else in the entire Louvre did we see any exhibit draw on a particular group of people – for some inexplicable reason Asians apparently like to cluster around this one statue.

The Egypt exhibit at the Louvre was so full of wonders and sights that we quickly became quite numb to the display of all the tablets and figures and sculptures. This was one of the first tablets we photographed. Out of deference to the French and to these priceless pieces of artwork I didn’t use my flash on my camera and many of my pictures did suffer from it, as my camera lengthened exposure time to capture enough light to get a good image. Many of my photos after that were all rendered a slightly bit blurry, as there was a catch-22 in place, no flash, no tripods – not that I had my tripod on me, I didn’t. Not using the flash did give me peace of mind knowing that I wouldn’t have this garish flash-glare ever present in my photographed works. I like these series of photos because they help show off objects that were set up to glow under their lighting, you can sort of see that glow in the photo.

This is where it all began. I was stunned to learn that the actual Codex Hammurabi was on temporary display at Le Louvre. This basalt pillar contains the text of Hammurabi’s codified laws. To the left and right of this wonderful piece of human history is a helpful guide to what the codex actually says in both English and French. I was lucky to get this shot because this particular piece was being mobbed by curious french people who didn’t know enough to get out of a camera frame. The lady to my right was particularly tricky because she enjoyed the wobbling from left to right to make out the text on the codex itself. It felt awesome to be next to an object so profoundly old as this one.

This is Amor and Psyche. I consider this to be the best photo I have ever taken with my digital camera. Not only do I enjoy the myth behind Amor and Psyche, and all the psychological underpinnings to the story (which served as a good portion of my most memorable readings back in SUNY Buffalo when I was in school). This was one of the few pieces that I knew I had to see to make my Paris visit complete.

You can’t possibly miss this figure when visiting Le Louvre. At the top of the primary staircase is Nike, Winged Victory. The only thing that could have helped would have been more ambient light for photographs. Off to my right of this picture is a huge display including an artists reconstruction of Winged Victory’s form before she lost her arms and head to time. Evidently someone discovered a coin with Winged Victory’s complete visage pressed into the metal of the coin, then the French government paid an artist to draw a likeness-representation of what Winged Victory might have looked like when the artist who completed her was just finished. What you never expect is that she had a sword. Unlike the previous picture this one is so massive it almost can’t be done justice in photographs.

This is the lady everyone comes to Le Louvre to see. La Jaconde, The Mona Lisa. Le Louvre does a good job at psyching you up for seeing this worldwide treasure, a long hallway of wonderful paintings and sculptures warming you up for entry into Leonardo DaVinci’s style of artwork line the entry gallery and you have to walk about 500 yards to get down to where they keep this particular painting. When I turned the corner the first thing that came into my head was “Wow, there it is!” and the second thing “Wow, it’s tiny!”. I was raised on popular images of this painting, closeups and representations in movies that this painting was some vast 5×8 monstrosity requiring two men to carry. The truth is, The Mona Lisa is not as big as popular culture leads her on to be. However, what this painting does have is gravitas – the mysterious smile, the knowledge that it’s a truly unique item, and the adoration it receives from the public is palpable. This picture gets about as much eye-time as any of the Christian iconography in Le Louvre, a fact that tickles me pink.

Paris Plans

LiveJournal 11/12/2003

The plan of attack: 

Four days in Paris France, 10 hours of usable time before the 9-to-5 world closes after sundown… On with the show!

Day One – Friday:

Le Louvre Museum
Musee D’Orsay

Day Two – Saturday:

Hier, Ad’jourhui, Demain – Fancy shop Scott has his eye on…
Musee Caravalle
Musee Picasso
Centre Pompidou
Moulin Rouge
S. Dali Museum
Sacre Coeur
Bibliotheque Nationale

Day Three – Sunday:

Notre Dame
St. Chapelle
Tour of the Catacombs
Musee Rodin
Asian Art Exhibit
Eiffel Tower
Arch De Triomphe
Musee Monet

Day Four – Monday: 

Sculpture en Plain Air
Musee de Cluny
Cemetery Crawl (Oscar Wilde, Jim Morrison, and set to tounge-in-cheek sing a love song to Abelard and Heloise…)
Other things if we can fit them…

Flights :)

LiveJournal 11/10/2003

From Kzoo to Chicago:
Train: 351 
From: Kalamazoo on 11/13/03
To: Chicago on 11/13/03
Departs: 10:39am 11/13/03 
Arrives: 12:26pm 11/13/03

From Chicago to Paris:
Flight: American Airlines Flight 42
Depart: ORD Terminal 3 on 11/13/03 at 5:30pm
Arrive: CDG AEROGARE 2 TERMINAL A on 11/14/03 at 8:35am
Seats: 29J, 29H (Boeing 767 Jet)
Meal: Dinner / Continental Breakfast

PARIS YAY!

From Paris to Chicago:
Flight: American Airlines Flight 41
Depart: CDG – AEROGARE 2 TERMINAL A 11/18/03 2:30pm
Arrive: ORD – Terminal 5 11/18/03 4:45pm
Seats: 11G, 11E (Boeing 767 Jet)
Meal: Lunch / Snack / Brunch

From Chicago to Kzoo:
Train: 352
From: Chicago on 11/19/03 
To: Kalamazoo on 11/19/03
Departs: 2:10pm 11/19/03
Arrives: 5:31pm 11/19/03


Ducks in a Row…

LiveJournal 11/8/2003

Paris is coming… we fly away on 11/13/03 at 4ish from Chicago. So far we’ve got most of what we talked about done:

1) Cat sitter is set for the 15th, maybe we can talk her into also stopping by on the 18th too…
2) Metro and Museum passes are bought, all we need now is to wait for shipping
3) Train tix have been bought, I had to spend an extra $20 for last-minute ordering, gah!
4) Hotel is all set
5) Airfare is all set

All we have to do now is set up a schedule of what we want to visit and actually GO and I have to get travelers cheques from AAA.

Paris Travel Plans

LiveJournal 10/22/2003

Since we’ve passed the point of no return for France we’re starting to consider what it takes to get out to Chicago to get our flight and then get back from Chicago to Kalamazoo. As it turns out we can catch the train into Chicago on the 13th, have lunch there, then get on the plane to Paris at 5:30. Getting back is a whole ‘nother thing. On the 18th the only train leaving Chicago does so at 6pm. I’m not willing to land at 4:45 to catch a train at 6:00 when you’re talking about Chicago. So factoring in travel I have to take another day off from work – all in all it’s no big problem it’s just a wee pirahna nibbling away… 

Paris Flights

LiveJournal 10/22/2003

Well, we’re past the point of no return on our trip to Paris. Earlier today Scott bought the airplane flight and the hotel reservations and we’re all set to go. My passport has even arrived, even though it’s currently trapped in a US Postal Carriers truck pending a pickup tomorrow. 

Flight: American Airlines flight 42 (Non-Stop)
Depart: Chicago-Ohare, IL (ORD) – TERMINAL 3
” Thu, Nov 13 at 5:30pm
Arrive: Paris de Gaulle, France (CDG) – AEROGARE 2 TERMINAL A
” Fri, Nov 14 at 8:35am
Seats: 29J, 29H (Boeing 767 Jet)
Meal: Dinner / Continental Breakfast
______________________________________________________
Flight: American Airlines flight 41 (Non-Stop)
Depart: Paris de Gaulle, France (CDG) – AEROGARE 2 TERMINAL A
” Tue, Nov 18 at 2:30pm
Arrive: Chicago-Ohare, IL (ORD) – TERMINAL 5
” Tue, Nov 18 at 4:45pm
Seats: 11G, 11E (Boeing 767 Jet)
Meal: Lunch / Snack/Brunch

Lodging:

Hotel Saint Jaques: 35 rue des Ecoles 75005 Paris France

Passports

LiveJournal 10/14/2003

So this is a story of running-out-of-money-me. Didn’t expect that buying a passport required cash only, $172.30 whoosh kaboom. The man did say that it would be ready in 7-10 days and I have to get Scott his passport as well. I don’t have enough money left to do that and I don’t have enough money to buy anything else until 10/20/03, when I get paid. Once that happens then I’ll have enough money again and get scott his passport – and if we do it on 10/20/03, he should get it no later than 10 days past, 10/30/03. Lucky for us our trip doesn’t start until November 13th.

It’s the hidden costs that nibble you to death…

Paris Hotels

LiveJournal 10/10/2003

Found out to our chagrin that apparently Expedia.com has some of the best rates for all the travel search engines on the ‘net. We’ve nabed two potential “Paris Vacations” defined by their hotels.

Option One – The Best Western Aulivia Opera – $1,155.08

This is a three-star hotel close enough to the center of the city to please Scott and I, and cheap enough to not break the bank for our first Paris visit. On the map it’s around the Marais section and unless we find out that it’s infested or run by zombies is ‘good enough’.

Option Two – Jolly Hotel Lotti – $1,453.32

This is a four-star hotel that caters primarily to the Italian and Tourist crowd, while it has a REALLY good placement being just 800m from The Louvre it does give a little affront to being parsimonious about this whole trip. 

So – not knowing if anyone else has visited Paris and have any suggestions (please make them if you’ve got them), these are my two selections. Is it worth the extra $298.24 to get an extra star and not have to metro and/or walk from Marais to the center of the city – or is it too much?

Paris Immunizations

LiveJournal 10/7/2003

Just got back from the Sindecuse Health Center and did my part for God and Country, got the “International Travelers” talking to. Most of it was what I was expecting – use common sense and expect theives! But of course realized that Hepatitis B is a concern when visiting West Europe, so sitting down with the wonderful nurse at Sindecuse we covered what to bring… I was pretty much right, Immodium, Pepto, Clairitin-D and Advil. Like most of the docs they were a little taken aback by my allergy to Acetominophen but took it in stride. 

I’ve got the first of 3 injections for Hepatitis B Immunization, the next one is November 7th, and the third in my series is April 7th. I also got another 10-year booster for Teatanus/Diptheria. That’s the one that hurts. When I was a kid it didn’t hurt at all and frankly it doesn’t hurt now… just a little on the weak side I suppose – dead in my left arm eventually once it kicks in. 

The nurse I had was smart with the needles… wipe-poke-pump-wipe-bandaid. The dead HepB virus went into my right arm, the dead Teatanus went into my left arm.

Now I sit back and let my immune system have a jamboree with all the new floaty bits…