How do you communicate differently online than in person, if at all? How do you communicate emotion and intent in a purely written medium?

Each medium has it’s own benefits and vulnerabilities. You can’t communicate the same way from one medium to another. When I’m online I find myself preferring email, iMessage/SMS, and Instant Message because you cannot beat the signal to noise ratio of text. When I’m using my cell phone, I prefer to only communicate over iMessage/SMS because the carrier I’m using, Sprint, has a terrible record of dropped calls and rather poor voice quality. Plus text eschews much of the wrappings of verbal communication, there is no need to preamble and no need for closure statements to indicate communications have concluded, usually. Generally, face to face conversations vary between formal and informal, and I have found that elaboration and clarity excel in formal face to face communications but are annoying in informal senses. When it comes to capturing backchannel cues and extended emotional content in media that doesn’t really have a good capacity to carry that information a wonderful shortcut is the cinema. I have found that it’s quite handy to refer to a common corpus of movies in which quoting scenes can convey everything from mood, through atmosphere, including sense and quite often, the message itself. The only issue is establishing that cinematic common corpus that those that communicate with me need to make sense of some of the shorthand phrases that I use to carry backchannel messages.

What movies? There are so many. Off the top of my head, pretty much anything Disney has produced because it’s ubiquitous. Comedies are rich with great scenes and raw material and I find myself referring to the classics such as Airplane!, Clue, Noises Off, Planes-Trains-and-Automobiles, Transylvania 6-5000, and the entire oeuvre of Mel Brooks, such as Young Frankenstein and Blazing Saddles. Also, worth mentioning is a classic comedy, The Kentucky Fried Movie. There are also other movies that lend detail and depth that aren’t really comedies, such as “Love, Actually.” and “Serendipity”. Then of course scifi movies like Serenity, the Alien series of movies, and Close Encounters of the Third Kind. Generally, since I keep much of this for the informal channel of communication the people who need to understand this corpus have likely seen these movies several times, likely with us.